And that is why we do not break covenants with the land. Because it only has to withdraw it’s protection of us for us to be ROYALLY. FUCKED. UP.
(And this is why I see the Earth as a monster mother. The Black Sow doesn’t need much more incentive to eat us, considering what we’re doing to her.)
I have hit that un/happy perfect storm of stress, cold/medication, and stimuli that makes me go a big sideways. You were warned.
*Tysonomicon-tinged rant about being fleas on the back of something vast and indifferent, and that our best chances for survival involve treading as lightly as possible and getting really, really, fucking cozy with the spirit-world.*
Real life vs Societal expectations
Yeah, news flash people, boobs generally only look “perky” while in a bra. A few are super lucky and have naturally perky boobs, most don’t. And this is because, SURPRISE, boobs are intended to feed babies and it’s hard for a baby being cradled in mum’s arm to reach a nipple that’s on the other side of the boob from where its mouth is.
Think of a soda fountain machine. The spouts are all pointing down, right? So you can put soda in a cup being held under the spout? If the spout was sticking straight out, it would be really hard to get a soda out of it.
Babies need to be able to reach a nipple easily so they can eat. Ergo, nipples are usually lower and angled more downward on a naturally hanging boob, both so it’s easier for a baby to reach and so gravity can do its part in pulling milk toward the nipple.
So there you go, outright ANATOMICAL proof that boobs are not there for the benefit of men.
Thank you for that. I never realized. Thanks.
An estimated 63 percent of young men between the ages of 11 and 20 who are imprisoned for homicide have killed their mothers’ batterers.
Kimberle Crenshaw, in her article Intersectionality and Identity Politics: Learning from Violence Against Women of Color. (via supreme-shieldmaiden)
when kimberle crenshaw speaks, you fucking listen. this is the incredible black woman who is responsible for creating the term intersectionality.
"The snawfus, according to some backwoods folk, is just an albino deer with certain supernatural powers, puzzling to human beings but not dangerous. Some hillmen say that it can make tremendous leaps into the treetops; others endow it with great feathery wings, claiming that it can ‘fly through…
I tell my students, ‘When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else. This is not just a grab-bag candy game.’
When I was doing my first movie, the only thing I knew is that I wanted a female editor. Because I just felt a female editor would be more nurturing. To the movie and to me. They wouldn’t try to be winning their way just to win their way, all right? They wouldn’t be trying to shove their agenda or win their battles with me. They would be nurturing me through this process.
Quentin Tarantino, “The Cutting Edge: The Magic of Movie Editing”
this is a weird documentary. they use the default pronoun “he” to refer to editors, yet time and again there’s creepy shit in there about the way male directors, with their massive egos, have used these “invisible” non-celebrated women collaborators for their own self-aggrandizement
also tarantino sounds like a fucking sexist prick here
esp. given the fact that women in Hollywood are simply not allowed the opportunities as a director that a white man like him received
they’re second-place little helpmeets who are disallowed from the big time
and they’ve got to ~nurture~ you without getting the kind of credit you get as a white male director
It’s double gross because the drop of editing quality in Django was SO DAMN OBVIOUS. Sally Menke was who defined that delicious postmodern visual handwriting for him (and it’s shameful I only learned that late in art school, after years of considering myself “a film buff”), and her passing is a great loss to the craft.
I didn’t know Sally Menke’s name or how much of the work attributed to The Great Tarantino is hers before tonight
it’s sickening how women’s artistic genius is erased
and Tarantino got exactly what he wanted: someone to “nurture” him and make him look good as an artist
and never be spoken of
never take any of the limelight from him
because fucking nobody cares about women and their achievements
and white male directors have been and continue to be the little feted monstergod babies of Hollywood
Film editing is one of those positions that women take because they can’t get hired as directors. Kind of like how women in the comics industry end up as colorists because noone wants them as the headline artist.
How many great directors have partnered consistently with female editors? A lot of them. Scorsese is a great example. Thelma Schoonmaker has edited every single one of his films since 1980, starting with Raging Bull. She is instrumental to his success. But is she a household name like Scorsese is? Of course not.
Imagine a world where she directed her own films, and what those films could have been like. I’m not saying all film editors wish they were directors or anything. But it’s no coincidence that the position most open to female moviemakers is the most unsung, and that’s part of why there are so few female directors today.